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FA LA SI EDITION
Sheetmusic to print
18 sheet music found
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1
Forty Pieces in the forme of Dance for Saxophone
Forty Pieces in the forme of Dance for Saxophone
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Saxophone
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Marco Falaschi
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Forty Pieces in the forme of D
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FA LA SI EDITION
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SheetMusicPlus
Composed by Marco Falaschi. Etudes and Exercises, Repertoire. Individual Part. 40 pages. Published by FA LA SI EDITION (S0.42581). - Individual Part - Etudes an...
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Composed by Marco Falaschi. Etudes and Exercises, Repertoire. Individual Part. 40 pages. Published by FA LA SI EDITION (S0.42581). - Individual Part - Etudes and Exercises,Repertoire - FA LA SI EDITION
$19.90 ≈
18.57€
La Padovana a 8 voci
La Padovana a 8 voci
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Renaissance
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Lodovico Grossi da Viadana
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Marco Falaschi
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La Padovana a 8 voci
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FA LA SI EDITION
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.938629 Composed by Lodovico Grossi da Viadana. Ar...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.938629 Composed by Lodovico Grossi da Viadana. Arranged by Marco Falaschi. Renaissance. Score and parts. 26 pages. FA LA SI EDITION #16081. Published by FA LA SI EDITION (A0.938629). Lodovico Grossi From Viadana, La Padovana to 8 voices. The score, polyphonic contrapuntal style is perfectly suited to the formation of ensemble of saxophones. FA LA SI EDITION - Sarzana, Italy.
$17.90 ≈
16.70€
"Antiche Danze e Arie per Liuto" (Ancient Dances and Airs for Lute) Italian Music Series for Saxopho
"Antiche Danze e Arie per Liuto" (Ancient Dances and Airs for Lute) Italian Music Series for Saxopho
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Renaissance
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Simone Molinaro /Ottorino Resp
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Marco Falaschi
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"Antiche Danze e Arie per Liut
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FA LA SI EDITION
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.938626 Composed by Simone Molinaro /Ottorino Resp...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.938626 Composed by Simone Molinaro /Ottorino Respighi. Arranged by Marco Falaschi. Renaissance. Score and parts. 29 pages. FA LA SI EDITION #15463. Published by FA LA SI EDITION (A0.938626). Italian Music Series for Saxophone Renaissance music Antiche Danze e Arie per Liuto. Simone Molinaro (1565 - 1615) - Ottorino Respighi (1879-1936) Antiche Danze e Arie per Liuto (Ancient Dances and Airs for Lute) Suite n° 1 Balletto detto Il Conte Orlando Revision by Marco Falaschi for Saxophone Ensemble S1, S2, A1, A2, A3, T B FA LA SI Edition – 20142 Italy falasieditions@gmail.com.
$19.90 ≈
18.57€
In Memoriam per Soprano o contralto Sassofono
In Memoriam per Soprano o contralto Sassofono
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2 Saxophones (duet)
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EASY
#
FA LA SI EDITION
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In Memoriam per Soprano o cont
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FA LA SI EDITION
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.938633 Composed by FA LA SI EDITION. Contemporary,Standards. Sc...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - SKU: A0.938633 Composed by FA LA SI EDITION. Contemporary,Standards. Score and parts. 2 pages. FA LA SI EDITION #6039371. Published by FA LA SI EDITION (A0.938633).
$29.20 ≈
27.24€
Canzone 4 a 6
Canzone 4 a 6
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Renaissance
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Giovanni Priuli
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Marco Falaschi
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Canzone 4 a 6
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FA LA SI EDITION
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.938628 Composed by Giovanni Priuli. Arranged by Marco Falas...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.938628 Composed by Giovanni Priuli. Arranged by Marco Falaschi. Renaissance. Score and parts. 21 pages. FA LA SI EDITION #15983. Published by FA LA SI EDITION (A0.938628). Canzone 4 a 6 for Saxophone Ensemble. Giovanni Priuli was an Italian composer of the Renaissance. The piece in contrapuntal style is perfectly suited to the formation of ensemble of saxophones. FA LA SI EDITION - Italy.
$14.90 ≈
13.90€
Concerto in G Major RV 151 "alla rustica"
Concerto in G Major RV 151 "alla rustica"
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Flute, Oboe, Clarinet, Bassoon
#
INTERMEDIATE
#
Classical
#
Antonio Vivaldi
#
Marco Falaschi
#
Concerto in G Major RV 151 "al
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FA LA SI EDITION
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.938623 Composed by Antonio Vivaldi. Arranged by Marco Falaschi. Baroque. 33 pages. FA LA SI EDITI...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.938623 Composed by Antonio Vivaldi. Arranged by Marco Falaschi. Baroque. 33 pages. FA LA SI EDITION #15051. Published by FA LA SI EDITION (A0.938623). Antonio Vivaldi Concerto in G Major RV 151 alla rustica for Saxophone quartet (Soprano, Alto, Tenor, Baritone).
$25.50 ≈
23.79€
The Saxophone
The Saxophone
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Saxophone Quartet: 4 saxophones
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BEGINNER
#
Contemporary
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Marco Falaschi
#
The Saxophone
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FA LA SI EDITION
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.938632 Composed by Marco Fala...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - SKU: A0.938632 Composed by Marco Falaschi. Contemporary. 38 pages. FA LA SI EDITION #3884285. Published by FA LA SI EDITION (A0.938632). Elementary method for Saxophone.A new teaching for the saxophone, simple and fun!
$19.00 ≈
17.73€
10 Studies – Caprice for Saxophone
10 Studies – Caprice for Saxophone
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Saxophone (band part)
#
INTERMEDIATE/ADVANCED
#
Instructional
#
Marco Falaschi
#
10 Studies – Caprice for
#
FA LA SI EDITION
#
SheetMusicPlus
Saxophone Solo - Level 4 - SKU: A0.938627 Composed by Marco Falaschi. Instructional. Individual part. 21 pages. FA LA SI EDITION #15445. Published by FA...
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Saxophone Solo - Level 4 - SKU: A0.938627 Composed by Marco Falaschi. Instructional. Individual part. 21 pages. FA LA SI EDITION #15445. Published by FA LA SI EDITION (A0.938627). The 10 Studies – Caprice for Saxophone are inserted in the curriculum of many music academies. They have a medium - advanced degree of difficulty . They are written in different styles and address a diverse range of difficulty. Also ideal for the development of the ability to interpret.
$11.90 ≈
11.10€
19 character studies for saxophone
19 character studies for saxophone
#
Alto Saxophone
#
Marco Falaschi
#
19 character studies for saxop
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FA LA SI EDITION
#
SheetMusicPlus
Alto Saxophone Solo - SKU: A0.938630 Composed by Marco Falaschi. Contemporary,Instructional. Individual part. 34 pages. FA LA SI EDITION #3637055. Publi...
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Alto Saxophone Solo - SKU: A0.938630 Composed by Marco Falaschi. Contemporary,Instructional. Individual part. 34 pages. FA LA SI EDITION #3637055. Published by FA LA SI EDITION (A0.938630).
$24.00 ≈
22.39€
Orange Sonatina for Tenor or Alto Saxopone
Orange Sonatina for Tenor or Alto Saxopone
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2 Saxophones (duet)
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Contemporary
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Marco Falaschi
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Orange Sonatina for Tenor or A
#
FA LA SI EDITION
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - SKU: A0.938631 Composed by Marco Falaschi. Contemporary. Score and parts. 7 pages. ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - SKU: A0.938631 Composed by Marco Falaschi. Contemporary. Score and parts. 7 pages. FA LA SI EDITION #3877711. Published by FA LA SI EDITION (A0.938631). Grade Intermediate.
$15.00 ≈
14.00€
"va pensiero" chorus of the Hebrew slaves from Nabucc
"va pensiero" chorus of the Hebrew slaves from Nabucc
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Saxophone ensemble
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Classical
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Giuseppe Verdi
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Marco Falaschi
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"va pensiero" chorus of the He
#
FA LA SI EDITION
#
SheetMusicPlus
Composed by Giuseppe Verdi (1813-1901). Arranged by Marco Falaschi. Opera. 23 pages. Published by FA LA SI EDITION (S0.42485). Item Number: S0.42485 Giuseppe ...
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Composed by Giuseppe Verdi (1813-1901). Arranged by Marco Falaschi. Opera. 23 pages. Published by FA LA SI EDITION (S0.42485). Item Number: S0.42485 Giuseppe Verdi, "va pensiero" chorus of the Hebrew slaves from Nabucco. One of the most famous choirs in the history of music, arranged for saxophone ensemble.
$22.90 ≈
21.37€
La Marseillaise (Fa Majeur)
La Marseillaise (Fa Majeur)
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Piano solo
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EASY
#
Claude Joseph Rouget De Lisle
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Manuela Rosa
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La Marseillaise
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Manuela
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1285453 Composed by Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic. Score. 4 pages. Manuela #876556. ...
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Piano Solo - Level 2 - SKU: A0.1285453 Composed by Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic. Score. 4 pages. Manuela #876556. Published by Manuela (A0.1285453). La Marseillaise avec des accordsarmature de la clé fa majeurgravé avec LilypondLilyPond est un logiciel de gravure musicale, destiné à produire des partitions de qualité optimale. Ce projet apporte à l’édition musicale informatisée l’esthétique typographique de la gravure traditionnelle. LilyPond est un logiciel libre rattaché au projet GNU.Si vous êtes satisfait de la partition, j'apprécierais vos commentaires. Si vous n'êtes pas satisfait j'essaierais d'améliorer la fiche en fonction de vos critiques (I do not speak French, this text was translated with Google)French National Anthem Marseillaise with chordskey signature: F majorEngraved with LilypondLilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.If you are satisfied with the sheet music I would appreciate your feedback. If you are not satisfied I would try to improve the sheet according to your criticism.französische Nationalhymne Marseillaise, mit AkkordbezeichnungenTonart: F-Durgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Wenn Sie mit den Noten zufrieden sind, würde ich mich über eine Rückmeldung freuen. Wenn Sie nicht zufrieden sind, würde ich mich bemühen, die Noten zu verbessern.
$2.00 ≈
1.87€
La Marseillaise (Fa+Sol Majeur)
La Marseillaise (Fa+Sol Majeur)
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Piano solo
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EASY
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Patriotic
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Claude Joseph Rouget De Lisle
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Manuela Rosa
#
La Marseillaise
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Manuela
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1285457 Composed by Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic. Score. 7 pages. Manuela #876560. ...
(+)
Piano Solo - Level 2 - SKU: A0.1285457 Composed by Claude Joseph Rouget De Lisle. Arranged by Manuela Rosa. Patriotic. Score. 7 pages. Manuela #876560. Published by Manuela (A0.1285457). La Marseillaise avec des accordsarmature de la clé fa+sol majeurgravé avec LilypondLilyPond est un logiciel de gravure musicale, destiné à produire des partitions de qualité optimale. Ce projet apporte à l’édition musicale informatisée l’esthétique typographique de la gravure traditionnelle. LilyPond est un logiciel libre rattaché au projet GNU.Si vous êtes satisfait de la partition, j'apprécierais vos commentaires. Si vous n'êtes pas satisfait j'essaierais d'améliorer la fiche en fonction de vos critiques (I do not speak French, this text was translated with Google)French National Anthem Marseillaise with chordskey signature: F, G majorEngraved with LilypondLilyPond is a music engraving program, devoted to producing the highest-quality sheet music possible. It brings the aesthetics of traditionally engraved music to computer printouts. LilyPond is free software.If you are satisfied with the sheet music I would appreciate your feedback. If you are not satisfied I would try to improve the sheet according to your criticism.französische Nationalhymne Marseillaise, mit AkkordbezeichnungenTonart: F-Dur, G-Durgesetzt mit LilypondWarum Lilypond? Die modernen, mit Computerprogrammen gesetzten Noten wirken irgendwie steril. Lilypond bringt die Ästhetik der historischen Notendruckkunst auf den Computer.Wenn Sie mit den Noten zufrieden sind, würde ich mich über eine Rückmeldung freuen. Wenn Sie nicht zufrieden sind, würde ich mich bemühen, die Noten zu verbessern.
$3.00 ≈
2.80€
DIES IRAE from REQUIEM by G. Verdi
DIES IRAE from REQUIEM by G. Verdi
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
#
Giuseppe Verdi
#
Alessandro Macrì
#
DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00 ≈
8.40€
AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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AMADEUS suite - 3. Romanza K.
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Conce...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Graduation. Score and parts. 20 pages. Music Macri Editions #3640387. Published by Music Macri Editions (A0.931210). Il concerto per pianoforte e orchestra n. 20, KV 466, è una composizione di Wolfgang Amadeus Mozart, completata il 10 febbraio1785 a Vienna.Wolfgang Amadeus Mozart finì di comporre il Concerto per pianoforte e orchestra n. 20 in re minore K 466 il 10 febbraio 1785. Il giorno successivo lo eseguì come solista a Vienna in uno dei suoi concerti per abbonamento che, a quel tempo, avevano molto richiamo. Narra la leggenda che Mozart distribuì agli orchestrali le copie appena trascritte dell'ultimo movimento, al momento stesso di andare in scena. Il concerto si svolse nella sala Mehlgrube e vi parteciparono anche il padre Leopold, appositamente venuto da Salisburgo.L'Andante del secondo tempo è una romanza in 2/2 in forma ABACA. Come fa spesso, qui Mozart gioca di contrasti, espliciti e mascherati. Il primo contrasto è con il carattere del movimento che lo ha preceduto. Nell'inizio del secondo movimento il tema è sereno, apparentemente idilliaco e la tonalità solare (Si bemolle maggiore) lo conferma. È il tempo scelto (2/2) che ci fornisce il primo indizio sulle intenzioni dell'autore. A differenza di altri pezzi di grande lirismo il tempo non è un morbido ternario (3/4, 6/8), né un 4/4 con il suo respiro ampio ed il suo alternarsi di battere forti e smussati, ma un marziale 2/2. Il tema principale viene esposto dal solista, ripreso poco dopo dall'orchestra, passa dall'una all'altro con la solita maestria orchestrale mozartiana. Il secondo tema si presenta immediatamente con un salto di ottava ed intervalli ampi si ritrovano in tutto il suo svolgimento. È questo espediente più volte iterato che Mozart usa per costruire tensioni armoniche in crescendo che portano al minore e ad atmosfere già distanti dal primo tema. Con grazia sorprendente Mozart torna quindi sul primo tema per la seconda sezione. La terza sezione tematica precipita in minore, e questa volta con una serie di scale forsennate che richiamano alcuni passaggi dello sviluppo del primo movimento. Gli accordi verticali in forte (bisognerà aspettare Beethoven per i primi fortissimo) marcano di brusche fermate e riprese il rincorrersi delle scale. Un arpeggio rallentato e un arabesco riportano al tema principale che chiude questa pagina in un finto clima di riconciliazione, aprendo al frenetico finale.
$9.00 ≈
8.40€
MORGENLIED from Lohengrin
MORGENLIED from Lohengrin
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Brass ensemble
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EASY
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Classical
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Richard Wagner
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Alessandro Macrì
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MORGENLIED from Lohengrin
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.931278 Composed by Richard Wagner. Arranged by Alessandro Macrì. Film/TV,Romantic Period,Standards. Score and parts....
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Brass Ensemble - Level 2 - SKU: A0.931278 Composed by Richard Wagner. Arranged by Alessandro Macrì. Film/TV,Romantic Period,Standards. Score and parts. 30 pages. Music Macri Editions #6135905. Published by Music Macri Editions (A0.931278). Lohengrin è un'opera romantica tedesca scritta e composta da Richard Wagner; si tratta della sua sesta composizione di questo genere in ordine cronologico. Ne è la fonte il poema epico medievale tedesco Parzival di Wolfram von Eschenbach. Lohengrin, il cavaliere del cigno, uno dei custodi del Santo Graal, è infatti figlio di Parsifal, mitico cavaliere della Tavola rotonda, a sua volta protagonista dell'ultimo dramma di Wagner, scritto trent'anni dopo.Il Morgenlied è stato arrangiato per Brass Choir, composto da 18 strumenti:- 2 trombe in DO sulla torre A- 2 trombe in DO sulla torre B- 4 trombe in DO- 4 Corni in FA- 4 Tromboni- Trombone Basso- TubaLa prima rappresentazione si tenne a Weimar nel 1850 e fu curata da Franz Liszt, amico e sostenitore di Wagner, all'epoca in esilio perché coinvolto nei moti del 1849.La prima italiana (che fu anche il debutto assoluto di un'opera di Wagner sulle scene nazionali) si svolse invece nel 1871 a Bologna.
$11.00 ≈
10.26€
Symphony N. 3 Third Movement by J. Brahms
Symphony N. 3 Third Movement by J. Brahms
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Classical
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Johannes Brahms
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Alessandro Macrì
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Symphony N. 3 Third Movement b
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - SKU: A0.931219 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - SKU: A0.931219 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Romantic Period,Standards. Score and parts. 17 pages. Music Macri Editions #5318151. Published by Music Macri Editions (A0.931219). Il terzo movimento, Poco allegretto, in Do minore, che prende il posto dello Scherzo ordinario, è di stile prevalentemente serio, e si può dire che fissa il carattere generale della sinfonia. Il suo tema principale, che fa pensare a un lied, affidato ai violoncelli, è dapprima fantasioso, tenero e ricco di semplice grazia, poi diviene riflessivo e meditativo, e infine sognante. Segue un passaggio per i fiati, distensivo e quasi supplichevole, come una disapprovazione per lo struggimento imminente. Non c'è nulla del carattere dello Scherzo in questo movimento, e avergli dato questa forma sarebbe stato in conflitto con le idee che sostengono la struttura della sinfonia e avrebbe introdotto uno spirito e un colore estranei.
$7.00 ≈
6.53€
Mendelssohn, Félix : Barcarolle n°12 Opus 30 (Collection Anacrouse)
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Piano solo
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French Songs
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Mendelssohn, Félix
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Barcarolle n°12 Opus 30
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque mo...
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Les célèbres romances sans paroles (Lieder ohne worte) de Felix Mendelssohn sont des pièces raffinées, mélancoliques et brèves pour piano. Ses Quarante huit romances réparties dans huit cahiers sont créées au fil de sa vie dans les moments rares de solitude. Elles sont les reflets d’une page d’album sentimental de son quotidien. Six des huit cahiers sont publiés à partir de 1832 en huit fascicules par les soins du compositeur, chez l’éditeur londonien Novello. Les deux dernières paraîtront après sa mort. Quelques unes ont une appellation comme Morceau pour enfants, Marche funèbre, Chant du gondolier vénitien, Chant du printemps, Chant du dévidoir, Chant populaire, Chant du chasseur. L'opus 30 est dédié à Elise Von Woringen. Il est le deuxième recueil de romances sans paroles. Il comprend six petits morceaux très poétiques comme dans l'opus 19, représentant le premier cahier, qui est l'un des plus connus. Composé entre 1833 et 1834 à Dusseldörf, ce deuxième cahier est édité à Paris en 1835 chez Mori et Lavenu. La parution des six autres romances de Mendelssohn a reçu un très bon accueil en Allemagne par ses contemporains, ce qui a suggéré à Schumann d'écrire une très belle critique dans son journal, la Neue Zeitschrift für Musik : « Qui ne s'est jamais assis au crépuscule devant un piano droit ( un piano à queue ferait trop cérémonieux) et n'a chanté inconsciemment, en pleine improvisation, une douce mélodie ? Si l'on peut par hasard lier aux deux mains l'accompagnement et la mélodie, et surtout si l'on est un Mendelssohn, alors naissent les plus belles romances sans paroles ... C'est limpides comme le soleil qu'elles se présentent à nos regards ». La Romance sans parole n°12 « Allegretto Tranquillo » est intitulée aussi Barcarolle. Son écriture pianistique nous amène toujours à vouloir chanter le thème principal qui est proche de l'écriture du lieder. Sa structure formelle est elle même composée comme un lied : ABA. Elle se distingue par un chant très pur d'une grande expressivité ce qui nous évoque l'idée d'un air de gondolier vénitien. A 6/8, en tonalité de fa dièse mineur, la mélodie flotte sur un rythme ternaire qui donne un effet de tourbillon langoureux par l'utilisation d'innombrables ornementations vocales. Cette romance achève le recueil, mais finalement nous ouvre les portes de notre imaginaire où l'on peut entrevoir une libre promenade sur les eaux. Partition + Biographie + Notes sur l'oeuvre
3.30€
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